Featured MEdia
Supply Chains

1. Europe’s Production Infrastructure Is Hitting a New Gear

What used to be fragmented national markets are now part of a super-network of co-pro pipelines, incentives, and international players.

The shift includes:

• Aggressive tax incentives (25–40%) across key territories
• Global streamers setting up local original pipelines
• Local studios scaling cross-border partnerships

✅ Example: France, Italy, Ireland, and Spain have all seen double-digit increases in premium scripted productions in the last 18 months.

2. The Demand for Non-English Originals Has Exploded

Viewers—and buyers—are no longer fixated on English-only titles. They want authentic stories in local languages with global resonance.

What this means for you:

• The barrier to market entry is lower than ever
• Global buyers are pre-buying or co-financing European IP
• Your local project could be tomorrow’s global crossover hit

✅ Pro Tip: Top 10 shows in key streaming markets now include multiple European-language titles—across drama, crime, and even YA.

3. Co-Production Is Europe’s Superpower

Europe has perfected the art of co-production. And that means more pathways to financing, global distribution, and shared risk.

The benefits:

• Multi-country financing strategies reduce dependency on single buyers
• Access to regionally experienced production teams and service vendors
• Easier compliance with EU content quotas for global streamers

✅ Platforms like Vitrina can show which producers and studios have a strong co-pro track record—and who’s actively looking.

4. Track Where the Action Is—Not Just the Press

The biggest European projects don’t always get headline treatment—until they premiere. By then, it’s too late to participate.

Vitrina lets you:

• Discover unreleased projects across 35+ European countries
• Track financing, co-pro, and commissioning activity in real time
• Monitor which studios, streamers, and vendors are gaining momentum

✅ Pro Tip: Follow shifts in language, genre, and co-pro partner activity to stay ahead of Europe’s content curve.

5. Europe Isn’t a Niche. It’s the New Center.

The major growth in global content is no longer just US-based. The next wave of value creation is:

• Cross-border
• Multi-language
• Platform-agnostic
• And very often, made in Europe

→ Whether you’re an indie producer, financier, or vendor, you need to be plugged into this market—not just occasionally, but systematically.

Europe Is Not an Outsider Market Anymore. It’s the Arena.

→ Vitrina helps you see what’s being developed, where, and with whom—across every major European territory.