Pre-Buys and Pre-Sales: What Changed, and What Still Gets Deals Done

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Pre-Buys and Pre-Sales: What Changed, and What Still Gets Deals Done

Pre-Buys and Pre-Sales: What Changed, and What Still Gets Deals Done

Learn how pre-buys work in current Film and TV financing, how they differ from pre-sales, and how they are used to close real finance plans.

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This briefing breaks down how pre-buy and pre-sale deals work in 2026, where the stress points sit now, and what the recent successes had in common.

A top UK financier said it flat out. Pre-selling a film on a pitch is mostly a thing of the past.

The timeline has slid. Pre-buys that used to close during production now show up in post. Fewer projects land them at all, and when they do, roughly 10% of the minimum guarantee gets paid on signing. The other 90% wait for delivery.

For an independent producer, that reshapes how a film reaches the finish line. So what still clears the bar with a streamer or a major buyer? And what quietly kills a project before anyone opens a term sheet?

How pre-buys and pre-sales work in 2026

  • How pre-buys and pre-sales are defined today, and how far the timing has shifted.
  • What actually sits inside a pre-buy agreement, and why the long-form terms have to hold.
  • The move from the old revenue waterfall to the 2026 version, and where most of the value now lands.
  • The small set of factors behind most financing calls, plus what each buyer weighs on top.
  • Why theatrical now reads as a cost rather than a return, straight from the people signing cheques.
  • How gap financing, MGs, and unsold-territory valuations lock together when a deal needs to close.

Deals and moments covered

Phil Hunt of Headgear Films told us what he has stopped seeing in pre-sales rooms. Blunt read, and it is inside.

Raymond Mansfield of QC Entertainment, with seven Academy nominations to his name, laid out why a theatrical run is a marketing line now, not a revenue line. Full logic in the replay.

Blue Planet 3 drew premium buyers across six continents before post even wrapped. We unpack what made it pre-sellable, and what to do when you don’t have Attenborough on the call.

Inside the briefing

0:00 Welcome, and how Vitrina works
9:30 Pre-buys and pre-sales, defined and re-timed
15:40 Decoding the agreement: the 2026 payment split
20:20 The financiers speak: Phil Hunt and QC Entertainment
24:55 The three factors that drive most decisions
33:30 Bankability, gap financing, and recent deals

Who this briefing is for

  • Acquisition, programming, and licensing leads at studios, streamers, and broadcasters
  • Producers and heads of production raising against pre-sales
  • Financiers across debt, equity, and gap
  • Sales agents and distributors structuring territory deals

ABOUT THE SPEAKERS

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HOST

Kunal Barai

Strategic Growth & Solutions Leader, Vitrina

– Kunal spends every day speaking with studios, streamers, financiers, and vendors—surfacing real financing, partnership, and growth needs. He brings those live questions to the session to spot trends in real time and map where the industry is heading next.

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EXPERT

Atul Phadnis

Founder & CEO, Vitrina A.I.

– A value-chain specialist and host of Vitrina’s LeaderSpeak podcast series, Atul reads and analyzes big-player market moves—across regions, genres, content slates, and partner choices—and deciphers the why, how, and what next – within the business of content.

NON MEMBERS!

We have limited seats available for non-members.

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Free Spots Are Limited for This Insider Briefing

Recording available to Vitrina Members only.

About Vitrina

Vitrina is the intelligence platform for the global entertainment industry. It runs on a verified supply-chain graph of 360K+ companies, more than 1.3M titles, and 3M+ executives across 100+ countries. Intelligence that lives nowhere else, made conversational through ViQi.

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