Film & TV Financing: Pre-Buys

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Film & TV Financing: Pre-Buys

Film & TV Financing: Pre-Buys

Learn how pre-buys work in current Film and TV financing, how they differ from pre-sales, and how they are used to close real finance plans.

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Pre-Buys and Pre-Sales: What Changed, and What Still Gets Deals Done

This briefing breaks down how pre-buy and pre-sale deals work in 2026, where the stress points are, and what recent successes had in common.

A top UK financier put it plainly. The era of pre-selling on a pitch is mostly over.

The old timeline has shifted. Pre-buys that once happened during production now land in post, fewer projects get them, and when they do, only about 10% of the minimum guarantee tends to be paid on signing. The other 90% wait for delivery.

For an independent producer, that changes how a project reaches the finish line. So what still clears the bar with a streamer or a major buyer, and what quietly takes a project off the table before the conversation even starts? That is the ground this session covers.

What this briefing covers

  • How pre-buys and pre-sales are defined today, and how the timing has moved
  • What a pre-buy agreement actually contains, and why the long-form terms have to hold
  • The shift from the old revenue waterfall to the 2026 model, and where most of the value now sits
  • The handful of factors that decide most financing calls, and what each buyer weighs beyond them
  • Why theatrical is being treated as a cost rather than a return, straight from the people writing the cheques
  • How gap financing, MGs, and unsold-territory valuations fit together when a deal needs closing

Worth the watch

Phil Hunt of Headgear Films told us what he has stopped seeing in pre-sales meetings. His read on the market is blunt, and it is inside.

Raymond Mansfield of QC Entertainment, seven Academy nominations behind him, explained why a theatrical run is now a marketing line, not a revenue line. The full logic is in the replay.

Blue Planet 3 pulled premium buyers across six continents before being wrapped. We walk through what made it pre-sellable, and what that means if you don’t have Attenborough.

Chapter guide

0:00 Welcome, and a bonus on pre-sales
2:30 How Vitrina works, plus announcements
4:45 The four reasons members come to Vitrina
8:40 A note on selling US state tax credits
9:30 Definitions: pre-buys and pre-sales
10:15 The same deal from the buyer’s side
11:50 Where the timing stress shows up
12:35 How projects get recommended to buyers
14:10 Execution and counterparty risk
15:40 Decoding the pre-buy agreement
16:25 The 2026 split: 10% on signing, 90% on delivery
18:45 How the window moved from pre-production to post
20:20 The Phil Hunt interview
22:35 The old waterfall against the 2026 model
23:25 QC Entertainment on theatrical as marketing
24:55 The three factors that drive most decisions
27:10 What buyers weigh beyond the top three
28:00 A post-production pre-buy, and its buyers
29:35 Prestige crime, A-listers, and writer pedigree
30:20 Blue Planet 3 and the value of scarcity
33:30 Bankability and the tier-A distributor catch
35:00 MGs, sales agents, and gap financing
36:40 The Last Whale Singer and transmedia rights
38:15 Concierge matchmaking and close

Who should watch

  • Acquisition, programming, and licensing leads at studios, streamers, and broadcasters
  • Producers and heads of production raising against pre-sales
  • Financiers across debt, equity, and gap
  • Sales agents and distributors structuring territory deals

ABOUT THE SPEAKERS

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HOST

Kunal Barai

Strategic Growth & Solutions Leader, Vitrina

– Kunal spends every day speaking with studios, streamers, financiers, and vendors—surfacing real financing, partnership, and growth needs. He brings those live questions to the session to spot trends in real time and map where the industry is heading next.

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EXPERT

Atul Phadnis

Founder & CEO, Vitrina A.I.

– A value-chain specialist and host of Vitrina’s LeaderSpeak podcast series, Atul reads and analyzes big-player market moves—across regions, genres, content slates, and partner choices—and deciphers the why, how, and what next – within the business of content.

NON MEMBERS!

We have limited seats available for non-members.

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Free Spots Are Limited for This Insider Briefing

Recording available to Vitrina Members only.

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