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Our financing structure on the film is in place through a combination of soft money, our bank financing and pre-sales.
Podcast Chapters
| Timestamp | Topic |
| 06:46 | Financing and Co-Productions |
| 11:26 | Impact of COVID-19 |
| 15:31 | Box Office Dynamics |
| 20:34 | Budgets and Financing Models |
| 28:34 | Current Projects |
| 31:45 | New Markets and Tech |
Key Takeaways:
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Financial Strategy: Focuses on minimum guarantees (MGs) and debt via banks, while strictly avoiding equity financing.
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Incentive-Driven Production: Strategically shoots in regions with aggressive tax credits, specifically Canada, the UK, Germany, and Malta.
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The “Cast” Constant: Recognizable actors remain the primary requirement for securing pre-sales and ensuring global distribution.
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Theatrical Evolution: Post-pandemic cinemas now favor horror and action for younger crowds, while older audiences have shifted to streaming.
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Tech for Efficiency: Adopts AI and virtual production (LED walls) to significantly lower VFX and location costs for independent budgets.
It doesn’t make sense to sell a film to a US distributor for a nominal amount of money, and then that becomes part of their library… We generate more revenue for producers by organising the distribution.
Sound Bites:
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On the Nature of Film Investment: “Films are truly like investing in private equity.”
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On Gap Financing Strategy: “Gap should be priced less than equity investment because it’s… a more secure situation where you actually have contracts.”
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On the Necessity of Stars: “It’s the one constant… it’s extremely, really difficult to market and distribute a film if there’s no recognizable cast.”
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On Industry Disruption: “The traditional studio system I think is really breaking down and we’re seeing it kind of in real time.”
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On Production Efficiency: “You don’t have to go to Morocco anymore to shoot Star Wars. You can shoot it in a studio somewhere.”
Upcoming 2026 Projects
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The Pond (Isabelle Fuhrman, Douglas Smith, Gil Bellows)
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This Tempting Madness (Simone Ashley, Austin Stowell, Suraj Sharma, Zenobia Shroff)
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Once Upon a Time in a Cinema (Colin Morgan, Calam Lynch, India Mullen, Niamh Cusack)
Why Partner With Myriad Pictures
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Deep Industry Pedigree: With over 20 years of operation and a leadership team featuring veterans from the Samuel Goldwyn Company and Village Roadshow, Myriad provides a stable, highly experienced foundation for any project.
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Global Incentive Expertise: They are masters of “soft money,” actively identifying and leveraging the best tax credits worldwide—from Northern Ontario to Malta and Thailand—to maximize production value and reduce investor risk.
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Proven Financial Reliability: Myriad maintains a 20-year track record of ensuring financial partners and banks are paid back, fostering a level of trust and “savvy” that is rare in the independent sector.
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Agile Distribution Infrastructure: Through their own sales engine and Canadian affiliate Photon Films, they offer a direct, vertically integrated pipeline to market that bypasses the friction of traditional studio systems.
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Tech-Forward Production Solutions: They are early adopters of cost-saving technologies like AI for VFX and virtual production LED walls, allowing independent films to achieve “Star Wars” level production value on a realistic budget.
Myriad Pictures: The Independent Powerhouse of Incentive-Driven Cinema
With over 20 years of industry leadership, Myriad Pictures is a premier independent entity specializing in production, financing, and international sales. Led by veteran Kirk D’Amico, the company excels at “cobbling together” global financing through international co-productions and aggressive tax incentives in regions like Canada, the UK, and Germany. Focused on high-value projects with budgets between $5M and $15M, Myriad leverages its deep library and cutting-edge tech—like virtual production—to bridge the gap between traditional filmmaking and the future of streaming.
Core Themes of the Podcast
Highlights from this Episode…
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