How to Buy Remake Rights in 6 Essential Steps

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 Introduction

Ever wonder how a hit show from South Korea becomes a blockbuster in the U.S.? Or how a classic film gets a modern-day refresh that tops the box office? It’s not magic.

It’s a smart acquisition strategy. But let’s be honest, trying to buy remake rights can feel like navigating a minefield. The process is complex, the stakes are high, and finding the right IP is harder than ever.

You’re not alone if you feel this way. Many distributors and commissioners struggle with where to even begin.

In this post, I’m going to give you the playbook. We’ll break down the entire process into six clear, actionable steps. Forget the confusion and legal jargon. This is your roadmap to successfully acquiring your next hit.

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Key Takeaways

Step Action Why It Matters
1. Know the IP Type Distinguish between Remake Rights and Format Rights. Avoid legal pitfalls and ensure you’re buying the correct set of rights for your goal (scripted vs. unscripted).
2. Define Your Blueprint Create a clear acquisition strategy (genre, audience, budget). A focused strategy saves time and money, preventing you from chasing unsuitable properties.
3. Hunt for Gold Use modern platforms to find untapped IP. The best opportunities are often hidden. Platforms give you an edge over traditional methods.
4. Perform Due Diligence Thoroughly investigate the chain of title and any encumbrances. This is the single most critical step to de-risk your investment and ensure a clean acquisition.
5. Negotiate Smart Understand key deal points like option fees, term, and territory. A well-negotiated deal protects your interests and sets the project up for success.
6. Seal the Deal Execute a clear and comprehensive rights acquisition agreement. Finalizes the transfer of rights and provides the legal foundation for your production.

Step 1: Know What You’re Buying: Format vs. Remake Rights

Before you even think about making an offer, you need to know exactly what you’re trying to buy. People often use “format” and “remake” interchangeably, but in the entertainment business, they are very different. Getting this wrong is a costly mistake.

Remake Rights typically apply to an existing scripted work, like a film or a TV series. You are buying the right to re-create the story, characters, and plot from the original screenplay in a new production, often for a different language or culture.

Format Rights usually apply to unscripted shows (like game shows or reality TV) but can also apply to some scripted series. Here, you’re not buying the script itself, but the “format” — the concept, rules, structure, and branding elements that make the show what it is. Think of shows like The Voice or MasterChef.

Here’s a simple breakdown:

Attribute Remake Rights (Typically Scripted) Format Rights (Typically Unscripted)
Core Asset The original screenplay and its story/characters. The “production bible” outlining the show’s concept and rules.
Example Remaking the French film La Famille Bélier as the Oscar-winning CODA. Adapting the Israeli series Prisoners of War into Homeland.
Flexibility Less flexible. You must adhere to the core narrative. More flexible. Can be adapted heavily for local culture.

Knowing this distinction shapes your entire search and negotiation strategy.

Step 2: Define Your Acquisition Blueprint

Don’t just start searching randomly. That’s a recipe for wasted time and resources. The smartest buyers create a strategic blueprint first. It’s your North Star for the entire process.

Ask yourself these key questions:

  • Who is our target audience? Are you targeting families, young adults, a niche demographic? The IP you choose must resonate with them.
  • What is our budget? Be realistic about what you can afford, not just for the rights but for the full production. This will determine if you’re hunting for a blockbuster or an indie gem.
  • What genres work for our brand? If you’re known for prestige drama, acquiring a slapstick comedy format might not be the right fit. Stick to what you do best.
  • Which territories are we targeting? Are you buying rights for a single country, a region, or globally? This will be a major point in your negotiation.

Having clear answers to these questions will narrow your focus and make your search exponentially more effective.

The Hunt: How to Find Untapped IP Gold

So, you have your blueprint. Now for the exciting part: the hunt. But where do you look? The obvious places like major film festivals and markets are crowded and competitive. The real value is in finding hidden gems before everyone else.

Here’s how you get an edge:

  • Look at smaller, regional festivals: They are treasure troves of unique stories with passionate creators.
  • Track international successes: What’s a local hit in Turkey, Spain, or India right now? A show with proven domestic success is often a great candidate for a remake.
  • Leverage data-driven platforms: This is the game-changer. In the past, this was all based on relationships and luck. Today, you can use a centralized marketplace to find exactly what you need.

This is where you need to be smarter than the competition. Using a tool like Vitrina’s Project Tracker allows you to see what’s in development, production, or recently completed across the globe. You can filter by genre, country, and company to find IP that fits your blueprint perfectly, long before it hits the mainstream radar.

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Step 4: Due Diligence: Your Most Important Checkpoint

You found a project you love. The temptation is to jump right into making an offer. Stop.

Skipping proper due diligence is the #1 reason deals fall apart or end in lawsuits. You absolutely must verify that the seller has the clean, undisputed right to sell you the IP.

This process is called verifying the Chain of Title.” It’s the documented history of ownership for a piece of intellectual property. You need to ensure there are no breaks or competing claims.

Your legal team should investigate:

  • The original creator’s contract: Did the writer, director, or producer retain any rights that could interfere with a remake?
  • Existing licenses: Has the IP been licensed to another territory or for another medium (like a book or comic)?
  • Liens or encumbrances: Are there any outstanding financial claims against the property from investors or lenders?

It sounds tedious, I know. But uncovering a problem here will save you millions and a massive headache down the line. Never, ever skip this step.

Step 5: Sealing the Deal: Key Negotiation Points

Once due diligence checks out, it’s time to negotiate the deal. Your two main options are an Option Agreement or an outright purchase.

  • An Option Agreement gives you the exclusive right to purchase the remake rights for a specific period (the “Option Period,” often 12-18 months) for a smaller upfront fee (the “Option Fee”). This gives you time to develop the project and secure financing before committing to the full purchase price.
  • A Purchase Agreement means you are buying the rights outright from day one. It’s more cash upfront but gives you full control immediately.

Whichever you choose, your agreement must clearly define:

  • The Term: How long do you have the rights for?
  • The Territory: Which countries or regions are included?
  • The Fees: The option fee, the purchase price, and any backend participation (a percentage of profits for the original rights holder).
  • Reserved Rights: What rights is the seller keeping? (e.g., sequel rights, TV rights if you’re buying film rights).

How Vitrina Powers Your Search

Navigating these steps, from discovery to due diligence, can be overwhelming.

This is exactly why a platform like Vitrina is so powerful for buyers and commissioners.

Instead of relying on fragmented information and endless searching, Vitrina provides a centralized, global B2B marketplace for the entire M&E supply chain. You can use it to discover thousands of film and TV shows with remake potential, connect directly with verified rights holders, and access the data you need to make informed decisions.

It transforms the chaotic process of trying to buy remake rights into a streamlined, efficient workflow, giving you a massive competitive advantage.

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Conclusion

Buying remake rights is a powerful way to build your content slate with proven concepts. It’s not about finding a shortcut; it’s about making a smart, strategic investment.

By following these six steps — understanding the rights, building a blueprint, hunting for untapped IP, performing rigorous due diligence, and negotiating a solid deal — you can de-risk the process and dramatically increase your chances of success.

The global content landscape is bigger and more exciting than ever. The next big hit is out there waiting.

What’s the first strategy you’re going to try from this guide? Let me know in the comments.

Ready to stop searching and start acquiring? Take the guesswork out of finding your next project. Sign up for Vitrina today and gain access to a world of content opportunities, verified partners, and the data you need to win in the global M&E marketplace.

Frequently Asked Questions

There’s no single answer. It can range from a few thousand dollars for an option on an independent film to millions for a global blockbuster. The price depends on the original IP’s success, the territories you’re buying, and the negotiation terms.

Optioning is like putting a deposit down. You pay a smaller fee for the exclusive right to buy the property later. Buying is the full purchase. Most buyers option first to develop the project before committing the full budget.

While film festivals are traditional sources, the most efficient method today is using a global content marketplace like Vitrina. It allows you to search a massive database of international content and track projects long before they become public knowledge.

Failure often stems from a poor understanding of the original’s success. A remake must do more than just translate the script; it has to capture the cultural essence that made the original a hit and adapt it authentically for a new audience. A flawed acquisition strategy or a failure to connect with the right creative team is often the root cause.

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