Featured MEdia
Supply Chains

How do Netflix and Prime Video really differ in what they make, buy, and distribute?
This session unpacks the data behind their global content strategies, revealing the contrasts shaping the next phase of streaming.

You should attend if you:

• Work in strategy, programming, or commissioning at a studio, streamer, or network

• Track global content investments to guide development or acquisition decisions

• Need insight into platform-specific genre, format, and regional priorities

• Represent IP, production, or services targeting streaming partners

• Monitor competitive positioning across content supply chains and partner networks

• Want to understand how cross-carriage deals with broadcasters could reshape distribution models

You Should Attend If You…

• Develop or acquire IP for Film or TV
• Track adaptation trends to inform your slate
• Represent IP owners or rights (books, comics, formats)
• Finance, co-produce, or license scripted content
• Sell production or post services to IP-driven projects
• Advise, pitch, or consult on content strategy
• Monitor the market for competitive intel or early deals
• Want to be seen as ahead of the curve in global storytelling

“These sessions help us spot trends and deals before they’re in the trades.”
— VP, Global Production, Major Studio

• How Netflix and Prime Video differ in commissioning strategies across regions
• Genre and format breakdowns of active greenlights and in-development projects
• Distinct IP acquisition and adaptation approaches for each platform
• Key production partners and studios shaping each streamer’s output
• The role of partner and vendor ecosystems in building supply chain resilience
• What cross-carriage deals with European broadcasters signal for the future of streaming distribution

This intel is brought to you by Vitrina – the world’s most powerful and fastest intelligence system for the global Film & TV supply chain.

“We rely on Vitrina’s briefings for strategic planning across all our markets.”
— Executive Director, Global Content Strategy, Netflix