Introduction
For vendors and service providers in the entertainment industry, finding top Top Art Directors for Scripted Feature Films in the United States is just the start. The real value lies in tracking these visual visionaries—knowing what projects they’re working on, who they’re collaborating with, and how your services can elevate their creative world-building.
Why Tracking Matters
Art directors aren’t just visual stylists—they shape the entire aesthetic language of a project, from set design to color palettes and mood boards. For vendors and service providers offering props, set construction, scenic design, or location-based solutions, aligning your outreach with art directors’ current projects is key to securing meaningful partnerships.
Vitrina: Your Real-Time Tracking Hub
- Track Top Art Directors for Scripted Feature Films in the United States and Projects Globally
- Map their Collaborations and Service Providers
- Verified Contact Details for Purposeful Outreach
- Real-Time Project Updates to Align Your Pitch
Top Art Directors for Scripted Feature Films in the United States
Jeffrey D. McDonald
Here is a brief summary highlighting Jeffrey D. McDonald’s current professional role, key projects, specializations, and notable collaborations: Jeffrey D. McDonald is an art department professional, frequently serving as an assistant art director. Some of his recent key projects include the films Joker (2019), The Equalizer 2 (2018), Wonder Wheel (2017), and Wonderstruck (2017). His primary areas of expertise are art direction, set dressing, and property work on major film productions. Notable collaborators include directors Todd Phillips (Joker), Antoine Fuqua (The Equalizer 2), Woody Allen (Wonder Wheel), and Todd Haynes (Wonderstruck), as well as production designers like Mark Friedberg, Naomi Shohan, and Santo Loquasto. McDonald has worked repeatedly with several major studios and production companies across these films.
Jeffrey D. McDonald
Carroll Clark was an acclaimed art director who worked on numerous films for Walt Disney Pictures, including Mary Poppins (1964) for which he received an Academy Award nomination. He frequently collaborated with producer Bill Walsh and director Robert Stevenson on family comedies and fantasy films like The Love Bug (1968) and Blackbeard’s Ghost (1968). Clark’s expertise spanned art direction, set decoration, and production design for live-action and animated Disney classics over his four-decade career.
Jeffrey D. McDonald
Edwin B. Willis was a prolific set decorator who worked exclusively at Metro-Goldwyn-Mayer studios for his entire career, contributing to over 600 productions. He was nominated for the Academy Award 32 times and won 8 Oscars for his set decoration work on films like Raintree County, Don’t Go Near the Water, Until They Sail, and Les Girls. His expertise was in production design and art direction for MGM’s major releases during the studio era.
How Vitrina Empowers You to Engage
Vitrina doesn’t just list names—it tracks them. It lets you see what Jeffrey D. McDonald,Carroll Clark,Edwin B. Willis and countless others are actively working on. For service companies, tech vendors, or post-production houses, this means:
You’re reaching out when your services align with their projects.
You know exactly how your offering fits into their current VFX workflows.
You’re not just cold calling—you’re connecting with purpose.
Why Vitrina?
- 100+ countries covered
- 80,000+ production houses and correct 72k to 100k industry leaders
- Real-time updates and verified decision-maker contacts
- Integration-ready for your sales and CRM workflows
Sign up today on Vitrina to start connecting with the world’s top art directors and unlock new opportunities for your business!
Frequently Asked Questions
Vitrina is a platform designed to help vendors and service providers in the entertainment industry track top art directors and their latest projects, including collaborations and contact details, for purposeful outreach and potential partnerships.
Vitrina provides information such as the art directors’ current projects, collaborations with other service providers, and verified contact details. It also offers real-time project updates.
The target audience includes vendors and service providers in the entertainment industry, such as prop vendors, set construction companies, scenic design studios, and location-based solutions providers.
Benefits include tracking art directors and projects globally, mapping collaborations, accessing verified contact details, receiving real-time project updates, and enabling targeted outreach.
Vitrina covers over 100 countries.