In a manner reminiscent of Nicole Kidman, it’s clear we all share a unique connection when watching films in a theater. However, during my visit to the rerelease of “Interstellar,” I experienced an unexpected emotion. As I settled into my seat at the AMC Lincoln Square IMAX for a 2:45 p.m. showing of a decade-old movie, I was genuinely surprised to find the enormous theater, renowned for its steep seating—Manhattan’s only true IMAX venue—completely filled.

This marked the start of the film’s second weekend, following a successful opening that brought in $4.6 million across 165 screens. Even before the film began, it struck me how united the audience was in their desire to revisit “Interstellar.” While some attendees were first-time viewers, this was primarily a revival of Christopher Nolan’s 2014 sci-fi epic that intertwines themes of space exploration, climate change, and the emotional bond between a father and daughter. Gazing at that massive screen, I felt engaged in the essential cinematic trifecta of curiosity, discovery, and excitement.

I must admit that I have never been a huge fan of “Interstellar.” After watching it a second time, my opinion remains unchanged. It’s an unusual blockbuster: crafted with stunning, immersive visuals by a master filmmaker (enhanced even more by IMAX), yet its narrative weaves unpredictably over its lengthy runtime of 2 hours and 49 minutes, almost as if Nolan were improvising. Though everything comes together by the end, it feels like a blend of awe and abstract concepts. The screenplay, co-written by Nolan and his brother Jonathan, gives the impression of a collaboration between Stephen Hawking and M. Night Shyamalan.

I found myself moved and captivated by certain scenes, while others made me cringe, and I never fully accepted the premise. There’s a fundamental contradiction in crafting a “visionary” sci-fi film that is so heavily influenced by “2001: A Space Odyssey,” from its organ music to the dual-layered wormhole and the theme of humanity’s rebirth. However, my intention is not to complain. Despite my critiques, I was genuinely pleased to see “Interstellar” on the big screen once more. It felt like a nostalgic journey back in time (just a decade), and I was thrilled to realize that many others shared this sentiment.

This leads me to ponder: If a film that I consider far from Nolan’s finest can achieve such a successful rerelease, which other movies are suited for a theatrical comeback? I recognize that studios likely want to celebrate filmmakers like Nolan, and few can match his caliber. Not every rerelease is expected to achieve blockbuster success.

Nevertheless, I believe this is an opportune moment for carefully selected rereleases to attract audiences and serve a greater purpose. Watching a film in a theater that isn’t a new release inherently reflects a passion for cinema. This passion is what audiences need to reconnect with. Why not transform megaplexes into revival houses? It’s been done before, but perhaps we should approach it with fresh, insightful programming. Here are 12 films I would love to see on the big screen again. Simply put: Would you prefer to pay $17 to see one of these or “Morbius & Kraven: The Spider-Villain Squad”?

“Gladiator” (2000)

With “Gladiator II,” Ridley Scott’s watchable albeit less spectacular sequel, it’s evident that the audience for a “Gladiator” film is still alive. Why not bring back the original, where Russell Crowe embodies a definitive, charismatic portrayal of non-toxic masculinity?

“Pulp Fiction” (1994)

Quentin Tarantino’s best film still deserves to be experienced on the big screen, where it can reclaim its status as a mythological explosion of danger and joy.

“Gravity” (2013)

Simpler than “Interstellar,” yet far superior, “Gravity” immerses viewers in its breathtaking grandeur and weightless pace. Watching it in a theater allows you to connect deeply with Sandra Bullock, delivering her finest performance as an astronaut lost in the cosmos.

“Fight Club” (1999)

The angry, insular bro culture that supported certain political movements can trace its roots back to this film. Experiencing David Fincher’s raw fable again as a member of an audience would be quite the experience.

“Ghost” (1990)

This film has it all: love, death, pottery, supernatural thrills, and Demi Moore, whose popularity is rekindled by “The Substance.” Patrick Swayze also shines in this classic. It’s time to revisit their iconic duet.

“Casino Royale” (2006)

With Daniel Craig stepping away from the Bond franchise, fans of 007 should revisit what many consider the greatest Bond film. Craig’s initial foray into the role remains a remarkable standalone story.

“Bridesmaids” (2011)

Comedy thrives in a crowd, and Kristen Wiig and Paul Feig’s hilarious romantic satire about female friendship amidst the pressures of marriage and class conflict is the perfect crowd-pleaser.

“Cocktail” (1988)

Yes, I’m serious. For four decades, “Tom Cruise” and “movie audience” have been inseparable. Although there are better Cruise films, “Cocktail” embodies a unique blend of innocent and shameless 80s nostalgia. Could this cheesy classic resonate with a new generation? Let’s find out.

“Blade” (1998)

The appeal of the stylish vampire hunter Blade is reaching new heights, and there’s a thrill in viewing comic-book films that predate the Marvel era. Wesley Snipes commands the screen in this iconic role.

“L.A. Confidential” (1997)

Upon its release, few knew of Guy Pearce or Russell Crowe, but familiarity enhances the enjoyment of this brilliant dark thriller, reminiscent of Hollywood’s classic storytelling that can still captivate today’s audience.

“Zoolander” (2001)

A rerelease now could transform it into a “Rocky Horror Picture Show” for the Instagram generation. With a dedicated cult following, this Ben Stiller fashion satire should attract both loyal fans and newcomers alike.

“Basic Instinct” (1992)

Remember the thrill of sex in cinema? This notorious thriller, even in 1992, evoked a sense of guilt, exploring the liberation of indulging in our primal desires. It’s time for Sharon Stone to remind us of the essence of movie stardom once more.

Person

Nicole Kidman, Christopher Nolan, Jonathan Nolan, Stephen Hawking, M. Night Shyamalan, Russell Crowe, Quentin Tarantino, Sandra Bullock, David Fincher, Demi Moore, Patrick Swayze, Daniel Craig, Kristen Wiig, Paul Feig, Tom Cruise, Wesley Snipes, Guy Pearce, Ben Stiller, Sharon Stone

Company Names

AMC

Titles

Interstellar, Gladiator, Gladiator II, Pulp Fiction, Gravity, Fight Club, Ghost, Casino Royale, Bridesmaids, Cocktail, Blade, L.A. Confidential, Zoolander, Basic Instinct

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