The Academy of Motion Picture Arts and Sciences has orchestrated a paradigm shift for its flagship event: starting in 2029, the Oscars will bypass traditional fragmented broadcast networks to live on YouTube as a single, globally unified digital event. This five-year partnership (2029–2033) transforms the ceremony from a linear television broadcast into a “direct-to-planet” interactive experience. The deal consolidates global rights onto one platform, effectively turning the Oscars into the world’s largest simultaneous live stream, accessible to over 2 billion logged-in users.

The Academy: CEO Bill Kramer and President Lynette Howell Taylor are leading the transition from a legacy broadcaster model to a tech-native future. YouTube (Alphabet): CEO Neal Mohan is positioning the platform not just as a distributor, but as an innovation partner. The deal integrates the broader Alphabet stack, bringing Google Arts & Culture into the fold to digitize and curate Academy archives for year-round engagement.

The “Borderless” Broadcast This partnership introduces a supply chain innovation: Real-Time Localization. Unlike the legacy model, where international feeds relied on local broadcasters for translation, YouTube will leverage its automated and AI-driven multi-language audio tracks. This allows a viewer in Tokyo, São Paulo, or Mumbai to experience the event simultaneously with customized audio, removing language as a barrier to entry. Furthermore, the deal integrates “Creator Mode” logic—moving away from a single directed feed to potentially allow for creator-led co-streams and alternative viewing angles, mirroring how Gen Z consumes live gaming and sports.

The operational focus shifts from Regional Licensing to Centralized Cloud Distribution. By eliminating hundreds of local broadcast intermediaries, the Academy simplifies its delivery chain into a single, robust digital feed. This centralization allows for instant global ad deployment and data harvesting. It also opens the door for “click-to-purchase” integrations (merch, cinema tickets, or digital collectibles) directly within the video player—capability linear TV never possessed.

The innovation here isn’t the streaming itself; it is the Year-Round Ecosystem. The Academy is finally breaking the “one night a year” curse. By utilizing Google Arts & Culture to digitize 52 million archival items (costumes, scripts, photos), they are building a persistent digital museum that feeds the main event. This moves the Oscars from a television show to a content vertical, keeping the IP relevant 365 days a year through educational hubs, shorts, and archival deep dives.